Skip to main content

Summer 1980, Owen Lake

 It’s a video. 


Shaky, rimmed with snowy looking static. Stones, water: a beach. Midday, maybe, with the sun hidden behind clouds by the telltale misty pale of a northeastern afternoon. 


The camera person is talking off frame, muffled, but it sounds like a child’s voice. Excited, and breathless, with the camera seemingly righting itself, as if the operator had positioned it toward the ground and was now bringing it up. Our operator is studying a particular stone. It’s been cracked open, split down the middle, and inside are a constellation of voids, empty markings that seem like artisanal carvings. It’s the outline of something. A voice, out of frame, calls out and the camera is up, disjointed at an angle again. 


Dark, mirror-still water to the left. Stone laden cliffs to the right. More half whispered excitable talking and then the camera begins to bump just slightly as it’s steered towards the cliffs. Three people, all children, are crowded together in a council that seems to radiate nervous energy. A young girl pokes up out of the huddle and ushers the cameraperson in with a hurried come here hand gesture, followed by an equally earnest  quiet! motion. 


Then, we’re in. It’s like being inside a Vatican prayer circle, quiet peering faces that seem so mature for people so young. The camera has become almost unnaturally still. Peering down into a singular set of clasped hands. Something chirps, wiggling inside small fingers. The hands open. 


It’s like a bird. It’s not like a bird. The body is so delicate and thin that at first that it seems toylike, a model. And then it moves, stirring in the comfortable nest of fingers and palm, stretching thin wings that are leathery but smooth, frosted only faintly with the slightest feathery dust. It cranes a long, pointed beak on its curving neck with an eerie grace for something so new, so small. Amber eyes peer back into the camera lens. It chirps again, clacking the long beak. 


Out of frame, something roars with so much violence that it vibrates the image. Someone in the huddle whimpers, and the thing cradled in the hands screeches in terror.

Comments

Popular posts from this blog

Time Cadillac

  ”Please keep all hands and in feet inside the ride at all times! Please do not—“ Conrad and Lucy didn’t pay any attention. The Time Cadillac ride always started the same way. And they were too busy all over each other, submerged as deep in youthful needs as the Cadillac was submerged in deep time.  Conrad was already kissing Lucy again, breathless and with too much saliva as the slick, black car slowly rolled over a desolate landscape that would’ve fit Hell or the airless Moon than Earth. Lucy ran her hands through her boyfriends short, combed brown hair, feeling the car lurch a little. Far away came lightning flashing beneath cataclysmic looking clouds all purple, bruised, and furious looking. She glimpsed jagged landscape burbling,  saw the eerie monoliths of volcanic happenstance which poured streamers of superheated gases into impossibly thin air. For a full ten minutes they rode over different variations: fire, ice, black blistering sands— even a sea bottom, flat a...

The Tall Grass

 Evan sat in the car and looked out into the tall grass.  The dinosaurs were out there . Up and out over the prairie was a vision of ragnarok, all tall clouds black and bruised purple painted by pinkish sunlight as dusk became night. Shadows grew long in the grass and Evan strained looking into it all, eager for a sighting. Even without seeing a thing for nearly thirty minutes— the thrill was there, he could feel it, ancient mammalian fear mixing with modern excitement.  The dinosaurs were out there! Motion, and Evan as well as his fellows in the car instantly turned, making the Jeep rock slightly. It was one of the guides, a tall and lethe woman with dark skin— she was standing. Gazing out to the left off into swaying, pink-tinted grass. Everyone seemed to hold their breath.  She whistled then— or something like a whistle came out— long and thin sounding and oddly metallic. It echoed out into oncoming twilight.  Silence.  The guide looked back at everyone ...

The Dead Sea

 The parched voice calls out from the dark. It caries cracked, wizened words half lost in the desert wind like forgotten tombstones. I do not speak the language being spoken and so I let the words be dragged away into a night by the wind. Someone lies there as I pass. A skeletal thing that the dead might make to mimic the living. Corpse is generous. The thin body is almost just a sketch of limbs, of taut skin pulled over worthless bones, wind-blasted into living mummification by god only knew however many years adrift in the wastes.  They speak again, louder this time. Yet the words are snatched up by an even fiercer gust. I do not look to their hollow, cratered face. I do not care for the sunken eyes that are black as little pools of night. I leave them. Following nothing.  Sand and rock are omnipresent. They are the meaning of this place, the reason. In the dark of the night I weave between huge, wide-backed dunes. In the dark of the night I pass beneath stone spires so...