Skip to main content

Suzanne and the Ferryman

 Suzanne meets Stan at the hotel. She’s anxious this time, flighty, long dainty fingers tapping on the counter. The sex is rushed, she drinks too much before and even more after. Suzanne botches the makeup in the bathroom mirror, it lacks her usual professional consistency presented at the office— hair wild and uncouth even after the usual meticulous twenty brushing swipes. 


It’s raining out when she climbs into the car. A drizzle becomes a downpour, making winding turns through thick woods a dreamlike slog. Moss heavy branches hang low and Suzanne feels like they’re malevolent fingers reaching for her. The drenching escalates until her windshield is perpetually submerged, everything outside a dark chaotic painting of gloom and wetness and shadows. Suzanne reaches for glasses that aren’t there. Swerves. Feels stomach-churning emptiness as road beneath becomes empty air and treetops. 


Suzanne wakes to the scent of wetness, and earth. Copper on her tongue. Trees reaching up to dark marble colored bellies as crested and ridged as ancient maps all surround the bewildered woman. The realization of Death, of being dead— is almost mundane, like remembering where she left her keys. Suzanne knows she’s dead. Body wrecked, tumbled, tossed and broken, entombed in a little car that came uncoupled from familiar road. 


Suzanne wanders. Hands outstretched reaching for guidance and salvation, or just to protect against the whiplash of uncompromising branches. The cool wetness clings to her skin. Rain dripping down her nape, rivulets across each notch of her spine. The road that should be here and all the anxiety that comes driving it after meeting with Stan most weeknights should be here, the way home, the way to the shower— but there’s nothing but a inky black river she’s never seen before. It’s flow is glassy, dark. Winding through a clearing. Pelted by cool raindrops. She wonders if this is Hell. 


Coin?


Suzanne jumps. Turns wildly, falling on her ass to wet muck. There’s a man there, leaning against a tree. Beneath a wide slouch hat is just darkness, pitch as tar and as unwelcoming as starless midnight. The voice is iron heavy, craggy like so much glacier-ravaged ground. The man is tall, unnaturally tall. Forest clinging growth winds across his robes, makes him as textured as this impossible forest. 


He speaks again. 


Coin? You wanna cross— doncha?


Suzanne asks to cross what, and why. 


More beyond is the answer received, hat tilted to the river. 


Hands pat sodden pockets, reach for a purse that isn’t there anymore. Something glints. Her wedding ring. When presented to the Ferryman, there is cool and mirthless laughter that oozes out into the otherworldly gloom. 


No value to you in life, no value to me in death.


And with that, Suzanne was alone, clutching a useless forgotten thing in the rain.

Comments

Popular posts from this blog

Something Growing In My Basement

Something is growing in my basement.  Plump and bold red mushrooms coat the stairs like little crimson forests, and through what little light remains I can see their spores drifting. It’s damp, humid.  When it sighs the whole house shakes, my windows rattling by a wind not from outside but *below*.  I dream of horns, black and curving and many, like bony branches thrust up out of the dirt. Crisscrossed by red roots.  The mailman throws my packages, hurls my newspaper. My neighbors eye me and my home like it’s something mad, something hungry, and when I finally sit at the table to read I can’t help but feel that the floor is sinking under my feet. Listing into swallowing earth.  I know soon I’ll wake up, stiff, entombed by so many blood-colored caps. Tenacious roots spilling over me. The thing in my basement will speak instead of sigh and all that rotting wormwood will come down, down, down. And it will be free.

Lepidopterophobia

You are dying.  Doesn’t matter how.  Feels so far away now— doesn’t it?  That’s it. Take it easy. Let that last breath slip away, like the warmth that comes in a killing cold. Gentle into a silent night. No more looking up at those crowding, concerned faces; a herd of pale, pained moons.  - - - - - ___________ A dark tunnel. Familiar, but not. You’re welcome all the same. Hands groping, grasping against glassy coolness, stumbling—  Light.  The most perfect, pure sunlight. Every idealized summer, every perfect candlelight and warming fire, all that condescend sun-sure dances across a lifetime of days. It’s mere existence is the most pristine invitation. In illumination alone it says come closer . If you had a heartbeat it would be racing.  Up. Up. Forward. Scuffing, almost tripping. Surging forward, hands outstretched.  You’re here.  The Light. The Light   It’s so— wrong . It’s purity vanished, replaced with an organic and oily sheen. Like firefly glows made rotten, morphed in the shape

Betty and the Storm

 Betty takes a mercifully long drag on her All-American Stag , feeling the Kansas breeze. It’s a beautiful summer day with big sky country blueness everywhere and only faint, grey-streaked clouds far off on the horizon. Betty loves prairie storms, how they turn her world into blues and blacks cut ragged by hungry lightning. That familiar, lovely earthy smell that lingers even after the clouds have gone southward, down to the more welcomingly humid gulf.  A bit of incoming stormy wind snaps at the clothes on the line and Betty stands sighing and a halfway laconic smile, feeling long hours of chore caused aches lessening with each puff of the Stag . Reaching out a hand to fix one of Teddy’s work shirts, Betty unclips it, hoping to smooth the wrinkles with an absent hand as she turns again to watch the storm roll in.  When Betty sees it, it’s almost slippery in her vision. Like she’s got something in her jade green eyes, something that makes focus hard and dizzying. Betty squints. Scrunch